Interview with Christine Faulhaber

Art. 667

- What cultural influences have shaped your style?
Even as a young woman, I had the opportunity to look behind the scenes of the jewelry industry in my home town, the gold town of Pforzheim, and I was able to admire the perfection and craftsmanship of the goldsmiths. These qualities still flow into the design of my work today and inspire me to create extraordinary design

- How do you envision the future of contemporary jewelry?
Working for the masses with low returns is certainly not the thought that inspires us master goldsmiths and designers when we make our career choice. Instead, it is the unique, always new things on the workbench that make our eyes light up.
This means producing original jewelry that appeals to customers who value high-quality, unique design as well as the emotions and our working time.

- What innovative techniques do you use in the creation process?
Over the years, I have always been open to new processing techniques such as laser welding, laser engraving and working with a microscope. However, I have never lost sight of traditional techniques. In my opinion, the combination of new technology and traditional craftsmanship is what leads to creations that no one has ever seen before.

- How do you approach the balance between functionality and aesthetics?
I am always open to crazy shapes and sculptural designs and unusual ideas. However, for me, jewelry doesn't belong in a display case but worn on the body. Therefore, it should not interfere with the wearer's urge to move.
With my customers I prefer to discuss their expectations in detail, as this is the best way to ensure that the piece of jewelry suits the wearer and comes into its own.

- What has been the most significant feedback you’ve received on a piece?
For me, this is divided into two different moments. On the one hand, being in the spotlight on stage for a short time and receiving recognition from colleagues for the work I have done, and then proudly walking off stage with an award in my hand. On the other hand, it's just as exciting when customers come into my studio and I can take them away for a moment from their everyday lives into the world of creativity and they leave my goldsmiths with a smile on their face.

- What are your future projects and ambitions?
My aim is always to be open to new techniques and to keep up with the spirit of the times. This keeps me young and certainly inspires my creative work, the new ideas then come naturally.

January 24 2025